20130101

Review 2012 - April / May

APRIL


April the first is a day I dread, but for some God awful unknown reason I still fall for every bloody prank there is. Over the last four years I have fallen for

  • Yetis in the Spar
  • I won a donkey and had to pick it up from the airport
  • It's safe to bathe in gravy
  • The Moon is on a collision course with my flat
  • Tax refund
  • Vampire cannibal owls.

Living here in Swiss Cottage there is simply not a lot else to do, apart from pull pranks on the actors, artists and writers scattered throughout the area, some of whom actually have property here. I have pulled one or two myself, although I now draw the line at teasing a person living in a doorway after having to pay for the sculpture he made, as directed in my prank. I still have the sculpture, although I cannot show it to people until they repeal either the Treason Act or the Obscene Publications. Besides, the Queen is getting on a bit now and I think the shock wouldn't do her any good. When I pass on, I want to be remembered for my acting, and not for murdering a Monarch, albeit remotely. I remember Wilkes-Boothe was an actor, and he is not celebrated for any of his work, just killing Lincoln. It would be akin to the carnage caused by a psychotic June Whitfield attacking the Duke of Edinburgh with a machete. It's unlikely. Although I haven't seen June in anything for years so I am assuming she is somewhere brooding.

My diary for April 1st is intriguing:

Anyway, apparently, according to Bonham-Carter next door, Johnny Depp is staying with a friend in the same building as I live. Oh, he may be in disguise, he may be wanting to keep it down for the friend, but it is none the less my duty to crave an audience with the great man and learn from him his technique in his many roles. I haven't actually seen any of them, but I wasn't about to let Bonham-Carter know that.

I shall seek him out. But first, I have to know it is really him.

I spent two hours behind that hedge with my binoculars, until the Police arrived. Back in my flat post-questioning, I worked out where the room was in the building and drilled a hole in the floor.

I had just got down on all fours, and was peering into the void when the Police arrived again. It is difficult for a member of the public to lie to a Police officer. Firstly, you have to find one. And you have to have something to lie about. It's no good cornering your quarry and then saying 'I invented the ground'. Most officers will see right through this. And you have to have something to lie about. For instance, say I was holding a large bag of stolen watches, wearing a balaclava and running down the street away from the alarm ringing outside the local jewellers. I would need a good explanation for my actions, which would cover the presence of the watches, my attire and the reason for my stealth. The same applies when you are on all fours, peering through a hole in the floor into your neighbours' bathroom.

It is at this point that improv pays dividends. I remember many sessions, letting the muse land oh so gently on my shoulder, then fly off again, then settle, then finally leave a dollop of muse on my shoulder which should come out with a little dry cleaning. Myself and Leslie Grantham did some improv work a few years ago to the staff of a local bakery. Oh, the lines flew, the invention was mighty. It was a tour de force of acting in all its' majesty and power. Although we were told by the supervisor to get back to the production line. I have often found this with people in so-called real jobs. In my experience, Sales assistants, Customer service people, production operatives and anti-terror officers seem to have no sense of art. They go through life with their heads behind the parapet, ducking down and avoiding the very real shrapnel that we actors must face. I ask you – do you really think fighting for our country, facing an unseen and deadly foe and knowing each day may be your last is anymore difficult than sitting on the wrong bit of the bench in Brecht? I think I know what your answer is. We walk a tightrope with each performance, each side of which is the empty black void of eternity, we balance walking and talking and being careful not to look down into the opaque darkness. And don't even start me on the dressing room sandwiches. Is a triangle so difficult? Is it the sides which confuse? I ask for my sandwiches in a certain way, surely they should be presented to me in that way, and not look like they have been thrown in a washing machine, which, by the way, they often taste like. You know I had some buffet comestibles in Stoke once, I am not even sure they weren't dipped in slurry. I can't prove anything, obviously, and it would be wrong and impolite of me to poke fingers, but whoever made those abominations should face some sort of retribution. All I wanted was a cheese salad sandwich. It's not much to ask. What did I get? I got something that tasted like ketchup coloured Radox. I mean, how I am supposed to react when I bite into my fayre and it bubbles? That can't be right. I was told it was a local recipe, and no one else had complained, but I like to think of myself as an unappointed spokesman for the acting fraternity, for those who say “don't make a fuss, Tarquin” or “shut up”. I remember once with Richard Griffiths, doing a Christie in Lewes, and we were presented with a gorgeous looking chocolate gateaux. As 'the Griff' and I polished off the last crumbs, and Griff busied himself with licking the plate, it became clear to us we had just eaten a prop (the cake was a vital part of this particular play, being the location of the note which names the Cooks' murderer). Disaster! Griff and myself busied ourselves vomitting into a bucket, and the play had to be adapted so that the note – such as it was – was produced from a pale of sick. I had hoped that the rest of the cast would not notice, but alas, being professionals they did, but johnny public didn't and I have to say the reviews were forgiving. Apart from one which said the bucket and contents were the best thing in it. But that's the financial times for you. Anyway, if there are any theatre people reading this please concentrate less on your box office returns and refunds and complaints and more on sandwiches. Thanks.

Where was I? Oh, yes. Anyway, I pretended I was a interloper to the UK to the Policemen and I was an amatuer astronomer with a bad sense of gravity. I think they swallowed it. And it wasn't Depp at all, as it later turned out.

MAY

Much of May was spent performing for the local prison population.

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