Good morning and a yuletide heigh ho to you all.
I must apologise once again for my lack of updates. I know
some of you have been trying to contact me through my agent, however, as I am
no longer with Aimsbry, Lambert and Connery and they have steadfastly refused
to forward any post, calls or messages to me, I have been blissfully unaware of
such communications.
It was all to do with a small drinks party for Sam Mendes,
during which there was a misunderstanding over a coal scuttle. I cannot say
anymore.
My new agent, Danny Wool, is brilliant. The lad is always
working, it seems. Although sadly it wasa
bit late in the season this year (February) to get me any panto work,
the future looks bright next month with a run in Churchills’ farce, The
Decorator. I know nothing about decorating, and Dan told me that perhaps, by
way or research, I should redecorate his back bedroom. Naturally this was too
gooder opportunity to miss, learning the trials and tribulations of decorating
whilst decorating. What could be better? Few actors get to live the parts they
play – giving them a true insight. I tried this once before when I got the part
of ‘Spanners Moplan’, the mechanic in Minder. I would have been in more
episodes, but the research I did into car engines was curtailed by the oil sump
leaking through the floor to the flat below.
So what would my ‘Decorator’ be like? A rough diamond with a
heart of gold? A hardy tradesman whose dark past haunts him in a series of
horrifying flashbacks? Welsh? There was only one way I was going to make my
choices. I was going to have to read the play.
I availed myself of a copy, even though the ignoramus at
Waterstones’ misheard me and thought I said ‘farts’. After some ruffling of
feathers (not literally) I eventually got a copy from Smiths.
It is here that the young man on the counter recognised me.
‘You’re Tarquin Mc…Donald?’ he said ‘McPhereson’ I replied, using the patience
borne of experience. ‘My Nan thinks you are fantastic’ he said. This sort of
statement can do nothing but boost an actors’ ego and make him feel, at times
of low ebb, that he is not wasting his life. To bring pleasure to one person
through forty years on stage and screen and radio and magazines makes it all
worth while. Hopefully it is more than one patron who enjoys my talents; people
are so slow to praise but so quick to complain, I find. But working on the
theory that for every one complaint there are three very happy punters, I have
entertained hundreds and thousands of people.
I shall now settle down to my tome.
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